An Overview of the Victorian Era
The Importance of Being Earnest (Oscar Wilde, 1895)
Oscar Wilde: His Life and Literary Legacy
A comedy of manners
Why do Cecily and Gwendolen insist her fiancé's name should be Ernest?
What social convention or custom does the play satirize?
To what extent does the playwright challenge and satirize the Victorian double standards and gender expectations?
Identify foreshadowing devices.
What is the dramatic device that resolves the impasse in Act 3?
Research what DEUS EX MACHINA is and discuss the denouement of the play using this concept.
The Cost of Being a Victorian Woman
Objectification of the Female Body Governesses (gender, class, and education) The Fallen Women
Imperialism and the Empire Where the Sun Never Sets (or what they say)
In his 1899 poem, "The White Man's Burden," Kipling exhorts then the US Governor of New York Theodore Roosevelt to take up a more progressive (or aggressive) role in civilizing (or colonizing) the Filipinos. Enlightening the benighted natives with medicine, education, industry, and "freedom" was such a noble endeavor that any son of civilization ought to take "arms" and "sacrifice" themselves. I hope my use of quotation marks conveys piquant irony.
1. How does Kipling characterize the native people of the "uncivilized" countries?
2. What are the particular British values Kipling celebrates in this poem?
3. How do the rhythm and rhyme scheme reinforce Kipling's moral in this poem?
For example, the cadence of Stanza 1 marches on like this:
Take up the White Man's burden--
Send forth the best ye breed--
Go bind your sons to exile
To serve your captives' need;
To wait in heavy harness,
On fluttered folk and wild--
Your new-caught, sullen peoples,
Half-devil and half-child. (1-7)
Every odd line scans with 3 iambs (that is, iambic trimeter) with an extra unstressed syllable while every even line scans with iambic trimeter. A metrical foot (=meter) that consists of unstressed--stressed--unstressed syllables (for example, as in "al-low-ance")
is called amphibrach. So, I might say each stanza employs the alternation of iambic dimeter with an amphibrach and iambic trimeter, which is quite unusual rhythm.
And yet, Kipling regimentally repeats this cadence throughout the seven stanzas. What poetic effect do you think such oddly regimental rhythm creates?
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs--
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
Sprung rhythm is a metrical system devised by Gerard Manley Hopkins that is composed of one- to four-syllable feet that start with a stressed syllable. The spondee replaces the iamb as a dominant measure, and the number of unstressed syllables varies considerably from line to line. According to Hopkins, its intended effect was to reflect the dynamic quality and variations of common speech, in contrast to the monotony of iambic pentameter. Although there have been few poets who practiced sprung rhythm, the spirit and principles of sprung rhythm influenced the rise of free verse in the early 20th century.
I caught this morning morning’s minion, king-
dom of daylight’s dauphin,dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! Then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend; the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird--the achieve of, the mastery of the thing!
Brute beauty and valor and act, oh, air, pride, plume, here
Buckle! And the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
No wonder of it; shéer plód makes plow down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.
I have scanned the first three lines of this sonnet. Please try to read this sonnet using sprung rhythm.
"My Last Duchess" and a Parody Poem
Parody: a comic imitation of another author's work or characteristic style
"My Last Duchess" (Robert Browning, 1842)
"My Ex-Husband" (Gabriel Spera, 1992)